Museo de la Cancillería presents four exhibitions promoting culture and art as tools of diplomacy / @SRE_mx >>>
#SRE.- The Matías Romero Institute (IMR) and the Museo de la Cancillería present four exhibitions that promote culture and art; three uniquely address the intersections between nature, history, art and architecture: “Tercer Paisaje Manifiesto Colección SRE Pago en especie 2024”, curated by Dani Escamilla; ‘Dos y Dios son Cuatro: Arqueología de un Sujeto’, by visual artist Humberto Chávez Mayol; and ‘Tejiendo Diálogos’, by sculptor Jorge Bortolussi; the fourth is dedicated to ‘Jaume Nunó, ilustre entre los ilustres catalanes de México’.
The exhibition “Tercer Paisaje Manifiesto Colección SRE Pago en especie 2024” brings together 42 works selected as part of the Pago en Especie program of the Servicio de Administración Tributaria of the Secretaría de Hacienda y Crédito Público, curated by Dani Escamilla. Inspired by the metaphor of the “third landscape” by French theorist Gilles Clément, the exhibition as a whole invites us to reflect on the spaces not intervened by humans, where nature follows its course freely. The artists participating in this joint work, including Betsabeé Romero, Andrea Bores, Perla Krauze and Cecilia Miranda, confront us with the importance of life cycles and rest, both in art and in nature.
On the other hand, the exhibition “Two and God are Four: Archeology of a Subject”, by visual artist Humberto Chávez Mayol, immerses the public in a visual and philosophical introspection on memory and the passage of time. Through visual fragments and engrams, Chávez Mayol explores how mistakes and successes construct our perception and our personal history, in a continuum that interweaves past and present.
“Weaving Dialogues”, by Jorge Bortolussi, is a sculptural proposal that puts architecture and sculpture in dialogue through the use of recycled materials such as wire, cement and wood. Bortolussi’s works, some of them apparently unfinished or semi-destroyed, evoke the fragility and permanence of civilization, creating a conversation between classical and contemporary art.
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